My Chambered Nautilus Tam (a pattern by Elizabeth Zimmermann) is done. It was easy… once I knew what I was doing. Here is how mine turned out, what I think of this pattern, and a few helpful tips for anyone interested in making their own.
My tam is fresh off the needles. It needs to be blocked. It needs to be photographed by someone other than me (in these pics I’m holding a camera-remote-button cord in my hand and standing as far away from the lens as I can while hoping my head is in the frame). But I wanted to write about this hat today! I’ve never been good at waiting.
And there has been quite a bit of interest in this particular pattern. After fielding comments and questions from knitters I know and knitters that come to this blog, I realized quite a few crafters are interested in making this hat. They just aren’t sure how to get started. I can understand that; its an unusual design. So I’ve tried to write this as an honest review with some encouragement and some tips to make the knitting of it easier all without revealing the pattern itself. After all, its not my pattern and to “give away” another’s design is a pretty cruddy thing to do.
Chambered Nautilus Tam – A Pattern Review
This a great hat made in a very innovative way but the pattern itself could have been written much better. It assumes that you, the knitter, already understand the conventions of which edge stitches get slipped, how two sides are joined together while knitting (to make the spiral), and so on. Assumptions kill, especially in written patterns. Most modern, English-speaking knitters today do not have access to an older/wiser/experienced knitter that they can ask for help. They only have the pattern. A few sentences of explanation and some stitch instructions that are specific instead of generalized would have made this pattern a smashing success. It would have been one of those uber popular patterns in ravelry and an example would be hanging up in every LYS.
Why do I think this pattern was an almost-superstar? Because once you get the trick of it, it is easy. After you get you head around all these little extra steps that aren’t really explained, you hardly need the pattern at all. In fact I got a bit bored. When making the tam, you use the same technique over and over with just slight variations, in the form of short rows, from beginning to end. In fact I got so bored that halfway through I started knitting in a left-handed fashion just to give myself something to concentrate on.
Its a beautiful hat. The geometry of it is so simple but so exact that it will impress you as you knit. And once you know what your doing, you can make it easy-peasy.
How the Chambered Nautilus Tam is Made
This hat starts at the very top of your head with a short strip. That strip is quickly bent around and attaches to itself which begins the spiral. But you are always just knitting in a strip.
You never have more that 7 stitches on the needle. You are making one very long, 7-stitch wide strip that gets attached to itself as you work.
Of those seven stitches
- the one on the farthest left (in the picture above) is used to attach to the edge of the hat
- the middle three are worked as garter stitch
- the last three are worked as an I-cord edge.
How do you attach the 7-stitch strip to the edge of the at as you go? Its very much like a knitted on border if you’ve ever made one of those. If not, here is how:
- as you come to the end of the row, slip the last stitch (knit-wise…purl-wise… each lends its own textured effect)
- use the tip of your right-handed needle to pick up a stitch from the edge of the hat
- insert the tip of your left-handed needle into the front of the picked-up stitch and the slipped stitch. Now treat them as if you were making a ssk (slip,slip,knit).
How do you make the hat spiral out and lay flat on your head? Ahh! That’s done with short rows. I won’t be giving that away here. That’s the heart of this pattern. The placement of short rows, which changes as the hat grows wider, is how its shaped. The number of repeats for each row set is very fixed. Any more or any less and your spiral looses its shape and starts to ruffle.
Which edge stitches are slipped and which are knitted? That has been a matter of some confusion. There was an errata published to address that confusion but I don’t think it helped much. Here is what I did:
- if the row starts at the side with the I-cord, don’t slip
- if the row starts at the side with no I-cord (i.e. the side that gets attached), slip the first stitch
- if the row starts in the middle of the strip (i.e. a short row), don’t slip
I’ve wanted this hat for quite some time and I’m glad I finally made it. Its lovely (or it will be after I’m done blocking!) and that’s what matters most. I also learned a few new things along the way about short row shaping and the geometry of spirals. Every time I make an Elizabeth Zimmermann I learn something new. She was brilliant.
If you have this pattern laying around and want to give it a try, I say do it. Its only looks intimidating. After those first uncomfortable rows, the brilliance and sheer simplicity of this hat will strike you and your doubts will be a thing of the past. Just be sure to get the right gauge. I should know that better than anyone. There is no “make an extra spiral” if its comes out too small, which is why my Version Number One is frogged and exists now only in old bog posts and digital pictures.
Hope that gets you over any reservations you may have had and I hope you too have a seashell to wear on your head very soon.